THE CREATORS OF "HOW THE WEST WAS WON"
(NOTE: biographies were written in 1963, and are not up
to date.)
THE PRODUCER
|
DIRECTOR
of the Rivers, the Plains and the
Outlaws segments
|
DIRECTOR
of the Civil War segment
|
DIRECTOR
of the Railroad segment
|
THE WRITER
|
THE CINEMATOGRAPHERS
WILLIAM DANIELS,
A.S.C., born in Cleveland, Ohio, gave up the study of law at the Universitv of Southern California to join the motion picture industry as a cinematographer. He was first an assistant cameraman at Triangle Studios in 1917 and became a first cameraman the following year at Universal. Daniels moved to the newly formed Metro-Goldwyn-Mayer in 1924 and photographed most of the films starring the glamorous Greta Garbo. He won an Academy Award in 1948 for "Naked City."MILTON KRASNER,
A.S.C., began his career as an assistant cameraman and camera operator in 1918 at the old vitagraph and Biograph Studios in New York City where he was born. He became a first cameraman in 1927, and Academy Award winner in 1954 for his photography of "Three Coins in the Fountain." He photographed "Double Life," which won an Academy Award for Ronald Colman, and "Farmer's Daughter," the film for which Loretta Young received her Oscar. He also was cinematographer on the Academy Award winning "All About Eve."CHARLES BRYANT LANG, JR.,
A.S.C., like Daniels, was a law student at the University of Southern California when he also became interested in the art of photography. Starting in the Paramount Film Laboratories he came to the attention of Cameraman H. Kinley Martin who made him his assistant. He soon advanced to the position of Cinematographer and won an Academy Award in 1933 for his photography of "Farewell to Arms," and has been nominated three times since for "Queen Bee," "Separate Tables" and "Some Like It Hot."JOSEPH LaSHELLE,
A.S.C., was set for a career as an Electrical Engineer until he took a summer job in the old Lasky Laboratory. This was so fascinating he remained and soon became superintendent of the printing room at the Paramount Laboratory. In 1925, Cameraman Charles K. Clark chose him as his assistant. "The Happy Land" was LaShelle's first assignment as a Cinematographer. This was followed by a group of outstanding films among them "Laura," which brought him an Academy Award in 1944. Since then he has had three Award nominations for "Marty," "Career" and "The Apartment."
Produced by | BERNARD SMITH |
Directed by | HENRY HATHAWAY |
JOHN FORD | |
GEORGE MARSHALL | |
Written by | JAMES R. WEBB |
Suggested by the series, "HOW THE WEST WAS WON," which appeared in LIFE magazine | |
Music | ALFRED NEWMAN |
KEN DARBY, Associate | |
Directors of Photography | WILLIAM H. DANIELS, A.S.C. |
MILTON KRASNER, A.S.C. | |
CHARLES LANG, JR., A.S.C. | |
JOSEPH LASHELLE, A.S.C. | |
Print by | TECHNICOLOR |
Art Direction | GEORGE W. DAVIS |
WILLIAM FERRARI | |
ADDISON HEHR | |
Set Decoration | HENRY GRACE |
DON GREENWOOD, JR. | |
JACK MILLS | |
Color Consultant | CHARLES K. HAGEDON |
Film Editor | HAROLD F. KRESS, A.C.E. |
2nd Unit Photography | HAROLD E. WELLMAN, A.S.C. |
Assistant Directors | GEORGE MARSHALL, JR. |
WILLIAM MCGARRY | |
ROBERT SAUNDERS | |
WILLIAM SHANKS | |
WINGATE SMITH | |
Production Supervisor For Cinerama | THOMAS CONROY |
Special Visual Effects | A. ARNOLD GILLESPIE |
ROBERT R. HOAG, A.S.C. | |
Costumes | WALTER PLUNKETT |
Hair Styles | SYDNEY GUILAROFF |
Makeup | WILLIAM TUTTLE |
Music Co-ordinator | ROBERT DOLAN |
Recording Supervisor | FRANKLIN MILTON |
Certain sequences filmed in | ULTRA PANAVISION ® |
- END-
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